wanted and hancock celluloid

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Wanted

Based on the graphic novel of the same name, Wanted opens with Matrix-esque gun battle, complete with a determined man in a dark suit leaping from one building to another, before launching into a bullet fuelled fight. The film then cuts to yet another scene that brings the Matrix to mind – an average looking office where we meet our “hero” Wesley Gibson (James McAvoy)
Gibson’s life is going nowhere fast. His boss hates him, his girlfriend is cheating on him with his co-called best friend and he keeps getting panic attacks. Soon things begin to look up when he meets the mysterious Fox (Jolie). She tells him that she knew his father and that he is set to inherit three million dollars. Fox then rescues Gibson from an assassination attempt and tells him that it is his destiny to become a super-assassin with The Fraternity, a secret organization of weavers (yes – people who make clothes) led by the enigmatic Sloan (Morgan Freeman). .

Directed by Timur Bekmambetov in his English language debut - Wanted is a 14 year-old boy’s fantasy - being given $3 million, a gun and Angelina Jolie as company. Your viewpoint of the film will depend on how well you can suspend disbelief and your opinions on casual violence.
Wesley Gibson (James McAvoy) is an account manager who is unhappy working a dead end job, headed towards a dead end in his life. Wesley is approached by Fox (Angelina Jolie) who tells him his father was part of an elite team of Assassins known as The Fraternity.

	Wesley is introduced to the leader of the Fraternity, Sloan (Morgan Freeman) who informs him that he's been recruited to assassinate Cross (Thomas Kretschmann), the man who killed his father . Our hero also meets the other colorful members of The Fraternity played by Common, Marc Warren, and Dato Bakhtadze. Each member providing Wesley training in their own specific field to help prepare him for his showdown with Cross. At first James McAvoy is hard to believe as a hero, but believable as the guy who hates his life. As the movie progresses he grows into the hero role. Some of the incredible action sequences help enhance that image. By the end of the film viewers found him more likeable than they did annoying. It's easy to cheer for the underdog Angelina Jolie has done very well in the movie. She has the unique ability to look very attractive yet still pull off that tough girl persona all in the same scene.
If you like action, violence, language, some brief nudity from Angelina Jolie, it is a must see. It doesn't have the greatest plot or the coolest storyline. The movie is not without it's funny moments or great one-liners. The action, fight scenes, and dialogue should keep you entertained for the whole film. There are some original action sequences in the film that will definitely have you buzzing in the theater.
Starring : James Mc Avoy, Angelina Lolie, Morgan Freeman, Thomas Kretschmann Directed by : Timur Bekmambetov

Hancock
	"Hancock," directed by the versatile Peter Berg ("Friday Night Lights," "The Kingdom"), is a welcome departure in this summer of superheroes, although not always a well-executed one. Director Peter Berg (The Rundown and The Kingdom) is usually reliable with the camera, but this time you can't tell if he wants this to be a comedy, a drama or an all-out superhero battle of the immortals. The action comedy trades on Smith's tremendous appeal, talent and charm but suffers from a nastiness in both tone and dialogue, including a favorite Hancock threat involving one man's head and another's backside. A child is made to witness some horrific moments, but the movie's kryptonite is that it feels like an abridged version of itself, with its final third especially problematic. Plus, a bonus scene that plays with the end credits is funnier than anything that came before.
All of that could change when a do-gooder named Ray Embrey (Jason Bateman) is rescued by Hancock when his car is stuck on the tracks with a train barreling toward him. Ray invites Hancock to dinner at his house, where his wife, Mary (Charlize Theron), nervously eyes him, and his son, Aaron (Jae Head), immediately befriends him. Ray, an image consultant by trade, is a softie who wants to save the world. "It can't feel good that people hate you," he tells Hancock, offering him a makeover and getting more than both men bargained for, in the end.
Will Smith never looks comfortable as the character John Hancock. Smith is sure to have a major hit on his hands with this film, but it will put a slight blemish on that Teflon image he has. Of course he has Seven Pounds later this year, which could gain him some Oscar talk, so I don't think he will be hurt for too long. John Hancock (Will Smith) may be a superhero, but he's sad, surly, scowling and usually soused. Not to mention unshaven, the real sign that he's not like Superman or Spidey or Iron Man or the Hulk.
Starring: Will Smith and Jason Bateman, Charlize Theron. Directed by : Peter Berg

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