HomeFashion is the specialty retailer’s
bi-monthly resource for the home decor industry. In only a few
short years, HomeFashion has blossomed in the industry, earning
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to its advertisers. HomeFashion leads the field with sophisticated
design, a generous, tabloid-size format, and comprehensive editorial
coverage, offering the latest market news, reliable trend forecasts,
and the most compelling new products in an entertaining and enlightened
format. Undeniably, Home Fashion’s readership is active
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including home décor retailers, decorative gift retailers,
interior designers, department stores, and specialty retailers.
HomeFashion is distributed at key markets across the country.
Confirming the death of the minimalist style, the baroque style
movement continues in 2008. Black and white will work as a backdrop
palette and it is always used with a contrasting accent color.
Living with
colors
Warmer reds, cranberries, burnt oranges and fruit colors
would be strong this year. And bright yellows are making
a comeback. If you paint a room bright yellow be warned
that you may be shocked at first. But wait until you put
back all the furniture and accessories to pass your judgment.
If you cannot live with strong colors like reds, yellows
and limes, reserve them for your accessories.
Explore the world of textured carpets, wallpapers and
wall coverings. There are a lot of choices on the market.
Gray is the new Black
Over the last two years, we can see fabulous gray rooms
done by interior designers. One advantage of gray is that
it is more subtle than black. When done it right, it brings
the same level of sophistication to a room than black.
Expect softer grays this year. Taupe, granite, putty and
stone will be the most fashionable tones while silver
and champagne add sparkles to any room.
Next to the gray, you will continue to see an array of
deep dark shades. This trend started last Fall with the
revival of purple and burgundy. On the softer side, you
get periwinkle and Pink is still going strong is several
shades.
Muted Natural Tones
Look for shades found in the natural landscape. You start
with the earth: sand, camel, ochre, rust, mellow browns
and pumpkin. You can mix those with denim blue, soft roses
and lily pad green. Vegetal and mineral shades are represented
by olive green, khaki, emerald, aquamarine and copper.
And the most liked color, blue would be prominent mainly
because people like it. From soft icy blue to muted cerulean,
you can take your pick.
Quilt
A quilt is a type of bedding— a bed covering composed
of a quilt top, a layer of batting, and a layer of fabric
for backing, generally combined using the technique of
quilting. Another technique for securing the quilt layers
is tying. Tying refers to the technique of using thread,
yarn or ribbon to pass through all three layers of the
quilt at regular intervals. These "ties" hold
the layers together during use and especially when the
quilt is washed.
Many quilts are made with decorative designs; some quilts
are not used as bed covering at all, but are rather made
to be hung on a wall or otherwise displayed.
Interior decorators will tell you to pick a item you love
and design a room around that. When you choose the clothes
you will wear that day. It is the same thing for choosing
the fabric in a quilt. Based on the eventual use of the
quilt, decide on your main or focus fabric and choose
the fabrics that will complement it. Don’t stress
over every piece of fabric. It is the overall effect that
matters.
Don’t judge fabrics for your quilt up close - put
them together and then stand back at least six feet to
get the overall effect. If you are planning a wall hanging,
put the fabric on the wall in light similar to where you
plan to hang it. If you are planning a quilt, lay the
fabric on the floor and darken the room a bit.
When choosing fabric for a quilt, use the interior designer
trick of incorporating both different scales and different
values. Try to use a variety of scales in your quilt -
large, medium and small, as well as variety of values
- light, medium and dark. Even perfectly smooth fabrics
can be described as having a texture depending on the
print. Try including a variety of textures, such as a
smooth tone-on-tone or a choppy alligator print. Don’t
try to be too matchy-uppy with your prints. It’s
often the unexpected that makes a quilt into a treat.
It’s value that does all the work in a quilt, although
it’s often color that gets the credit. Usually described
in terms of light and dark, value determines how close
a color is to either white or black. The right values
can make the difference between a quilt that sparkles
and a quilt that doesn’t. A good scrap design, for
example, depends on clear value differences between the
fabrics.
Having trouble with the difference between values and
color? Think of it this way: If the world contained only
black and white, every color would still have its place
on the grayscale and that place would be its value. If
you aren’t sure, photocopy your fabric in black
and white. By removing the color, you can more easily
determine the value of a fabric. You could also use a
value finder, a small device that looks like a slide with
a piece of red or green cellophane in the middle (you
actually need both.) Holding a value finder to your eyes
and looking through it will help you determine the value
of a fabric.